Issues 500 Onward Issues 1 thru 499 Cartoons Art
Issues 500 Onward Issues 1 thru 499 Cartoons Art
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            June 27, 2024 - Issue 1006  
 
Home Page of this Issue #1006 Cover Story: The Mumbler-in-Chief and the Liar-in-Chief By Dr. Julianne Malveaux, PhD Pride Month 2024 The Orange Narcissist and Fabricator Who May Be King By Desi Cortez Black Wall Street Wasn’t the Only Racial Massacre By David A. Love, JD Minding the Debate: What’s Happening to Our Brains During Election Season By Dr. Melinda Burrell, PhD History - Art By Margaret Warfield
Home Page of this Issue #890 Cover Story:The US Must Deprogram Its Thanksgiving Mindset and Honor Native Americans By David A. Love, JD BLMurdered - Political Cartoon By Chuck Siler How Many Pastors Can We Have? By Dr. Julianne Malveaux, PhD Increase in Strikes May Signal Awakening of American Workers By John Funiciello Freedom - Art By Margaret Warfield Democrats Are Failing Their Base! By Dr. Walter C. Farrell, Jr., PhD, M.S.P.H. No Rights Which the White Man Is Bound To Respect By Desi Cortez Apartheid Comparison - Political Cartoon By Carlos Latuff





History,” affluent in beauty, prosperity, character, and perseverance. She carries the stories that were written long before her birth.  Stories of joy and sorrow that some thought would break her, yet she still stands. She has pushed boundaries and paved the way for future generations.

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Home Page of this Issue #1006 Cover Story: The Mumbler-in-Chief and the Liar-in-Chief By Dr. Julianne Malveaux, PhD Pride Month 2024 The Orange Narcissist and Fabricator Who May Be King By Desi Cortez Black Wall Street Wasn’t the Only Racial Massacre By David A. Love, JD Minding the Debate: What’s Happening to Our Brains During Election Season By Dr. Melinda Burrell, PhD History - Art By Margaret Warfield

Since the early 1980's, the work of Margaret Warfield has involved the creation of works on canvas and paper. Initially her work reflected images reminiscent of her childhood,i.e., landscapes of the hills of Tennessee. Her chosen medium, at that time, was oil paints and occasionally pastels. Over the years,however, she switched to acrylic paints, enjoying the ease of covering a surface quickly with vibrant opaque colors. In the early1990’s she began to paint scenes of African tribesmen and women. This was a result of many trips to book stores and libraries whereshe researched and studied facets of African culture. During this time she also re-discovered her love of cloth and her wish to createflowing fabrics, on the bodies of her images. Contact Ms. Warfield and BC.