Artist Statement
            Since I returned to painting in 1995 
              I have wanted to express the beauty in our African heritage. To 
              show the diversity that the Diaspora gave us in various other cultures 
              in the world. I have tried to present our culture as seen not only 
              in the context of the pain and suffering inflicted on us in the 
              days of slavery but to bring forward those cultural contributions, 
              and legacies we left in Spain, France, Italy and other places of 
              the world. Truly, that is what the Diaspora was about... the dispersion 
              of culture.
            When looking at the many histories on 
              art and researching many of the famous old masters, our image is 
              present even in medieval times. Anti-Black racism in the modern 
              sense was unknown in the Middle Ages; Blacks were simply part of 
              the human race.
            In the latter Middle Ages there were 
              even black saints and one of the Magi was accurately shown as black. 
              Most literature on Black American artists is approached as though 
              it was a form of expression separate from the so-called majority 
              culture. This critical isolation in terms of art comes from the 
              tradition of classifying people and their culture by race. I feel 
              the crucial issue is the quality of work and it’s relevance 
              to the society in which it was created.
            As an artist it is not my color that 
              gives me the inspiration or the capacity to produce a desired result, 
              but the ability to be sensitive to the various conditions of life 
              that face all mankind.
             My first showing of some of these paintings 
              was called “Lost Images Found Paintings from the Soul” 
              reinforcing the importance of our culture in various parts of the 
              world.
            Three shows followed after that. 
              One expanded on cultural isolation and the other specifically was 
              to present a new approach to Afro-American figurative art merging 
              the contemporary and the classical forms. 
             The objective of my vision is 
              to heighten the awareness of those who view figurative images in 
              my art and to stimulate one’s thought and imagination. The 
              end result is a series of paintings and drawings that form cultural 
              links between our past and our future.