El-Hajj
Malik El-Shabazz (Malcolm X) was assassinated 44 years ago, on February
21, 1965, because of his attempt to internationalize the AfricanAmerican
liberation struggle.
Malcolm
was born 83 years ago on May 19, 1925. While it is unlikely that
U.S. President George W. Bush will acknowledge these facts, people
from Cape Town to Nova Scotia and Brazil to Brixton definitely will.
African Americans in New York City have made a pilgrimage to Malcolm's
gravesite every year since February 21, 1966.
Contrary
to popular belief, it was Malcolm, not Martin Luther King, who first
opposed the war in Vietnam. Malcolm was the first African American
leader of national prominence in the 1960s to condemn the war. He
was joined by organizations like the Revolutionary Action Movement
and the Student Non-Violent Coordinating Committee. This was in
the tradition of David Walker, Henry Highland Garnet, Martin R.
Delaney, Bishop Henry McNeil Turner, W.E.B. Du Bois, Marcus Garvey,
Ella Baker and Paul Robeson. Malcolm continued to link the struggles
of African people worldwide. King came out against the Vietnam War
after his famous April 4, 1967 speech at Riverside Church in New
York City. Malcolm spoke against this war from the get-go.
Musicians
did their part to keep Malcolm's name alive. Long before Spike Lee's
1992 bio-pic, “X,” hip-hop, house, reggae and R'n'B artists created
music for Malcolm, high-life and great Black music (so-called jazz)
artists first wrote and sang about Malcolm. The dance of Malcolm's
time was the "lindy-hop" and he was a master of it. The
Autobiography of Malcolm X, which Malcolm wrote with the assistance
of Alex Haley, gives a vivid description of his love of dancing.
Years
later, on a visit to the West African nation of Ghana, Malcolm spoke
of seeing Ghanaians dancing the high-life. He wrote: "The Ghanaians
performed the high-life as if possessed. One pretty African girl
sang ‘Blue Moon’ like Sarah Vaughan. Sometimes the band sounded
like Charlie Parker."
Malcolm's
impact on Ghana was so great that one folk singer created a song
in his honor called "Malcolm Man."
Malcolm
Man, Malcolm Man
You speak your tale of woe
The red in your face like our
Blood on the land
You speak your tale of woe
Malcolm Man, Malcolm Man
The anger that you feel
Will one day unite our people
And make us all so real
Malcolm Man, Malcolm Man.
After
Malcolm's death, many jazz artists recorded music in his memory.
Among them, Leon Thomas recorded the song, "Malcolm's Gone"
on his Spirits
Known and Unknown
album; saxophonist-poet-playwright Archie Shepp recorded the
poem, "Malcolm, Malcolm Semper Malcolm" on his Fire
Music
album. Shepp drew parallels between Malcolm's spoken words
and John Coltrane's music. Said Shepp: "I equate Coltrane's
music very strongly with Malcolm's language, because they were just
about contemporaries, to tell you the truth. And I believe essentially
what Malcolm said is what John played. If Trane had been a speaker,
he might have spoken somewhat like Malcolm. If Malcolm had been
a saxophone player, he might have playeds somewhat like Trane."
Shortly
before Malcolm's death, he visited Toronto and appeared on CBC television
with Pierre Breton. During the visit, Malcolm spent time with award-winning
author Austin Clarke talking about politics and music. Time was
too short to organize a community meeting, but a few lucky people
gathered at Clarke's home on Asquith Street. Clarke had interviewed
Malcolm previously, in 1963 in Harlem, when he was working for the
CBC. Clarke recalled they "talked shop," but also discussed
the lighter things in life, like the fact that both their wives
were named Betty.
It
is not surprising that Malcolm made his way to Canada. His mother
and father, Earl Little, met and married in Montréal at a
Universal Negro Improvement Association (UNIA) convention. Both
were followers of Marcus Garvey. His mother, Louise Langdon Norton,
was born in Grenada but immigrated first to Halifax, Nova Scotia
and later to Montreal in 1917.
Jan
Carew's book, Ghosts
in Our Blood: With Malcolm X in Africa, England, and the Caribbean,
documents this aspect of the life of the Pan-Africanist. I suggest
that Carew's volume be read to commemorate the anniversary of Malcolm's
assassination.
While
on a visit to Nigeria Malcolm was given the name Omowale, which
means in the Yoruba language, “the son who has come home”. It was
this period of his life that he visited Nigeria, Ghana, Liberia,
Senegal, Morocco, Algeria, Egypt, Ethiopia, Kenya, Guinea and Tanzania.
It was during that period that he met with Osagyefo Dr. Kwame Nkrumah,
Julius K Nyerere, and Nnamoi Azikiwe, Sekou Toure, Jomo Kenyatta,
Dr. Milton Obote and others. During this visit he also met Ras Makonnen,
a legendary Pan-Africanist from Guyana, Richard Wright’s daughter
Julie Wright, Maya Angelou, Shirley Graham Du Bois, the wife of
W.E.B. Du Bois, and the Chinese Ambassador Huang Ha.
Malcolm
was the chief organizer of the Nation of Islam and the founder of
the group’s newspaper Muhammad Speaks. He split with the nation
and its leader Elijah Muhammad in 1963. At the time of his death
he headed two organizations. The secular group the Organization
of Afro-American Unity (OAAU) was his political arm. He also organized
the religious group, Muslim Mosque Inc (MMI), which practiced Sunni
Islam. Today Islam is the second largest religion in the United
States and Canada. Many credit Malcolm with helping spread Sunni
Islam as well as revolutionary African American Nationalism and
Pan-Africanism among African people in the Western Hemisphere.
Like
Augusto Cesar Sandino of Nicaragua or Sun Yat-Tsen of China, Malcolm
was embraced by all sectors of the African American Nationalist
and Pan Africanist movements. All Nationalists and Pan-Africanists
claimed to follow his example. Revolutionary Nationalist groups
like the Black Panther Party, and the League of Revolutionary Black
Workers emerged in the late 1960’s, after Malcolm’s death. Even
after the BPP and the League embraced Marxism, Malcolm was still
their man. The cultural Nationalists who maintained that the Cultural
Revolution must precede the political one also embraced Malcolm.
He
was a controversial figure. Actor Ossie Davis eulogized him as our
“Black Shining Prince” while the director of the U.S. information
agency Carl T. Rowan referred to him as “an ex-convict, ex-dope
peddler who became a racial fanatic.” He was loved by the oppressed
and hated by the oppressors. Malcolm spoke about the MMI and the
OAAU in these terms: “Its aim is to create an atmosphere and facilities
in which people who are interested in Islam can get a better understanding
of Islam. The aim of the OAAU is to use whatever means necessary
to bring about a society in which the twenty-two million Afro-Americans
are recognized and respected as human beings”.
At
the time of his death Malcolm was not nearly as well known as he
is today. Each year his stature grew. By 1992 Malcolm was the subject
of a major motion picture, “X” by Spike Lee. Lee’s film was as controversial
as Malcolm’s life. Lee was attacked from the left, right and center
for his portrayal of Malcolm. And he marketed the hell out of the
movie. His campaign began with the marketing of “X” caps. He gave
the first cap to basketball icon Michael Jordan. And as they say,
“the rest is history.” Many who up hold the Black radical tradition
fought Lee over the film. They accused him of “pimping and sampling”
Malcolm. Lee responded with a book, By Any Means Necessary:
The Trials and Tribulations of the Making of Malcolm X …(While Ten
Million Motherfuckers are Fucking With You!).
The
Autobiography of Malcolm X: As Told to Alex Haley
and other books by and about Malcolm continue to sell worldwide.
Some of his books have recently been published in Cuba. Malcolm
was one of the few African American Nationalist leaders that welcomed
Cuban leader Fidel Castro to Harlem in 1960. Many Nationalists didn’t
want to be identified with communism. But African people in the
West could easily identified with the slogan, “When Africa called
Cuba Answered.” Kwame Ture (Stokely Carmichael) was fond of reminding
us that the only place in the United States that Fidel felt safe
was in Harlem.
Toronto-based
journalist and radio producer Norman (Otis) Richmond can be heard
on Diasporic Music, Thursdays, 8-10 p.m., Saturday Morning Live,
Wednesday 9 - 11am. on CKLN-FM 88.1 and on the Internet at www.ckln.fm.
Click here
to contact Mr. Richmond. |