There’s no drama like
Hollywood drama. Yet, in two different situations, two different
extremes played out to show how race in America offers great
disparities in opportunities to correct social wrongs. The lessons
of race in America continue to frame how we perceive each other
and how the institutional systems react to those who violate
law and social protocol. First, I want to say that there are
much more important things in the world than Paris Hilton. This
hyper-intensive media coverage of the adventures of a blonde
bimbo hotel heiress sums up what popular culture has become,
in terms of how the media feeds our minds irrelevant “garbage” in
the guise of intellectual sustenance. The life and times of Paris
Hilton knocks war, poverty, space shuttle launches, and of course,
political controversy off the front pages of newspapers in America.
With an attention span of a five year old and celebrity fever
feeding our intellect, no wonder President Bush was able to pull
the wool over the eyes over most of the nation. Since when is
Paris Hilton's violating probation and being sentenced to 45
days in jail really a “news item?” When celebrity justice makes
a mockery of the criminal justice system. That was worthy
of paying attention.
Paying our debts to society
for running afoul of the law, has always been part of the American
nomenclature. Except if you’re a celebrity in America. It is
common knowledge that celebrities rarely do time. And if they
do time, it’s often soft time. Drug and alcohol “rehab” frequently
is the alternative to jail time. It’s now a running joke. Enter
Paris Hilton, a known “party girl” with a penchant for wild parties
and alcohol, who got caught driving drunk, had her driver’s license
suspended and was on probation, set out to make a joke of the
criminal justice system by blatantly defying a court order not
to drive.
Caught again, Hilton, who could afford to
be driven from L.A. to New York, by taxi if she wanted, showed
her blatant disregard for the system by showing up in court,
painting herself as “a victim” and to the surprise of all was
sentenced to 45 days in jail (of which she only had to serve
23 days).
Now
in L.A. County, you can pick your jail, “buy up” your accommodations and do your
time. Not Paris Hilton, after five days—she was back home and
a national firestorm ensued. Why? Because a spoiled rich white
girl somehow manipulated the system, again.
The public finally recognize
celebrity justice as social injustice when double standards afford
the rich and famous numerous opportunities to break the law and
avoid jail. Media activist Najee Ali, who had to do his whole
45 days for the same violation (driving on a suspended license,
not the DUI), went ballistic. And he should have. Yes, the jails
are overcrowded, but there are many more lower level offenders
who could have been released before Paris Hilton. The corrections
system got straight up fronted off the court system, and we can’t
have that, can we? They usually work in collusion. The point
is, Hilton did nothing the system wanted her to do, and still
got “all the breaks” (loopholes and technicalities) the system
could afford. The public objected to what was clearly preferential
treatment, Paris was sent back to jail (to do her full 45 days)
and all is well with the world again. Or is it?
The same day, another firestorm
concluded when actor Isaiah Washington lost his feature role
as part of the ensemble cast of the top rated television show, Grey’s
Anatomy. Washington, who created the firestorm by choking “Dr.
Dreamy” (Patrick Dempsey) and coincidentally commenting that
he was “not his little ‘fa**ot’” like another cast member who
was in the closet at the time (but has since come out), had been
trying (and managing) to repair his reputation over the past
six months. But the altercation became secondary to Washington's
perceived “homophobia,” and Hollywood, being a industry run by…well,
you know, weren’t going to rest until they had Washington’s head
on a platter. They first put the “Angry Black Man” jacket on
him, which goes onto anyone articulate enough to redefine themselves
and defend their views. White boys with anger issues, like Sean
Penn, Johnny Depp or Alec Baldwin, are “rebels,” “bad boys” or
complex. Black men always have to be angry. I’ve had that thrown
on me a couple times. It’s a tough one to shake, and the more
calm you get—the more people try to provoke you. They asked Washington
to take anger management “rehab,” which he did, then they provoked
him again at the Golden Globes, when Washington denied what he
had said—and the standard in Hollywood is to deny everything—even
when you know it’s true.
Washington again was held
to a different standard and his denial, of course, brought out
gay and lesbian activists wanting Washington to come in touch
with his gay-sensitivity side, asking him to meet with them,
renounce homophobia and do public service announcements, all
of which Washington did. All of this was done in the attempt
to restore harmony among the cast, knowing how networks resist
tampering with successful formulas, and the Grey’s Anatomy cast
is not the first cast to feud, while in the top ratings spot.
Washington was not the only one to snap off camera, and go into
a rage. The only difference between him and Alec Baldwin, who
is also on a top rated show and has also gone through numerous
forms of counseling, is that NBC stood by Baldwin. Only Baldwin
berated his own child and not a whole segment of the population
which, I suppose they considered to be somehow a lesser evil.
Still, Baldwin, who hass punched photographers (and anybody else
who gets in range) doesn’t have an “angry white man” jacket on
him. The parallels here are the stunningly similar, but their
outcomes are far from the same. It’s about how many life chances
one gets to succeed (or fail).
Clearly the assumption here,
whether stated or implied, is that if Washington—who is a central
figure in the primetime drama—conformed and renounced his evil
(socially impolitic) ways, he would be welcomed back for another
season. Well, surprise, surprise, he’s not coming back—even though
he did everything ABC asked him to do (causing his publicist
Howard Bragman to suggest they made Washington “jump through
hoops” for nothing), and it still netted him no reconsideration.
Why? Because the Black man in American society rarely gets a
second chance at anything—much less a prime opportunity. Washington
publicly showed remorse and appreciation for the support he received
during this controversy at the NAACP Image Awards earlier this
year, but the “powers that be” never forgot what he said or what
he did. Washington had earned his “Uppity Ni**er” status as far
as they were concerned and his lynching (exit from the show)
was therefore inevitable. No “good behavior” credits could be
earned on his tainted, but repented, slate. He was served up.
Paris Hilton, on the other hand, is still being viewed as a victim
of her own celebrity—not as an unrepentant lawbreaker. Sympathy
for her is overflowing. For Washington, it’s, “Oh well…” The
paradox here goes beyond just celebrity. It’s about life chances,
historical racial intolerance and disparities in opportunities.
Hilton had (and has) many chances to fail. Washington had just
one chance to fail. It’s one shot and out for the Black man.
Both Hilton and Washington
were losers in the outcomes of their controversies. Mistakes
were made by everybody, but one got more opportunities to correct
her mistakes. One just got more opportunities to “lose” than
the other. One deserved to lose because she complied with nothing
asked of her, while the other one didn’t deserve to lose because
he complied with everything that was asked of him. One got all
the breaks (none of which she deserved) to avoid jail, while
the other got no breaks (and deserved at least one, a chance
to return for one more season). Just another day in the life
of Hollywood, and the racial construct of America.
There is no drama like Hollywood
drama, and race drama, in America. When combined, it’s over the
top, in ratings and reality. Some things never change and are
as plain as Black and white. They just manifest in newer, more
contemporary forms. And there is no injustice like celebrity
injustice.
BC Columnist
Dr. Anthony Asadullah Samad is a national columnist, managing
director of the Urban
Issues Forum and author of the upcoming book, Saving
The Race: Empowerment Through Wisdom. His Website is AnthonySamad.com. Click
here to contact Dr. Samad.
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