Harlequin
        Returns as Pierrot
                      
      Larry Richardson ~ Artist
        www.aminaarts.com
      
        Represented by BlackCommentator.com
      
      For purchasing details please contact 
      Larry Richardson at [email protected]
      
        
          This painting is a continuation of the
            Harliquin series by the artist. Because music is so much an integral
            part of the Afro-American
                culture, this image explores Harliquins return as Pierrot the
            Musician.          
        
      
      Original painting is
        Acrylic on canvas - Size: 40 inches by  30 inches
        Does not require framing
      Price for purchase of original is $2,500
        USD
            
            Giclee prints on high quality Arches Watercolor paper 
            100% cotton 356 grams museum quality
            22 inches by 30 inches (unframed)
            
            Limited
            Edition Size: 250
            Signed & Numbered by the Artist
  
    
        Print Price: $1,800 USD
        What
          is a Giclee?
        Artist Statement
        Since I returned to painting in 1995
          I have wanted to express the beauty in our African heritage. To show
          the diversity that the Diaspora gave us in various other cultures in
          the world. I have tried to present our culture as seen not only in
          the context of the pain and suffering inflicted on us in the days of
          slavery but to bring forward those cultural contributions, and legacies
          we left in Spain, France, Italy and other places of the world. Truly,
          that is what the Diaspora was about... the dispersion of culture.
        When looking at the many histories on art and researching many of
          the famous old masters, our image is present even in medieval times.
          Anti-Black racism in the modern sense was unknown in the Middle Ages;
          Blacks were simply part of the human race.
        In the latter Middle Ages there were even black
            saints and one of the Magi was accurately shown as black. Most literature
            on Black American
          artists is approached as though it was a form of expression separate
          from the so-called majority culture. This critical isolation in terms
          of art comes from the tradition of classifying people and their culture
          by race. I feel the crucial issue is the quality of work and it’s
          relevance to the society in which it was created.
        As an artist it is not my color that gives me the inspiration or the
          capacity to produce a desired result, but the ability to be sensitive
          to the various conditions of life that face all mankind.
                    My first showing of some of these paintings was called “Lost
            Images Found Paintings from the Soul” reinforcing the importance
            of our culture in various parts of the world.
        Three shows followed after that. One expanded on cultural isolation
          and the other specifically was to present a new approach to Afro-American
          figurative art merging the contemporary and the classical forms. 
                    The objective of my vision is to heighten the awareness of those
                  who view figurative images in my art and to stimulate one’s thought
            and imagination. The end result is a series of paintings and drawings
            that form cultural links between our past and our future.