While I will continue to argue that the African American community doesn't have patent on homophobia, it does, however, have a problem with it.

And Tracy Morgan, comedian and actor on NBC's "30 Rock," is another glaring example of the malady.

During a standup performance this month at the Ryman Auditorium in Nashville, Tennessee, Morgan's "intended” jokes about LGBTQ people were instead insulting jabs:

Morgan has publicly expressed his mea culpas to the Gay & Lesbian Alliance Against Defamation (GLAAD), the nation’s lesbian, gay, bisexual and transgender (LGBTQ) media advocacy and anti-defamation organization, and he has now - as part and parcel of his forgiveness tour - spoken out in support of LGBTQ equality. But Morgan, like many of us who have grown up in communities of African descent, here and abroad, cannot escape the cultural, personal, interpersonal, and institutional indoctrinations in which homophobia is constructed in our very makeup of being defined as black.

The community's expression of its intolerance of LGBTQ people is easily seen along gender lines. For example, sisters mouth off about us while brothers get both - verbally and physically - violent with us. My son "better talk to me like a man and not in a gay voice or I'll pull out a knife and stab that little n-gger to death," Morgan told his audience at the Ryman Auditorium.

(Just as the LGBTQ community got on Morgan for his homophobic rant, the community should have also called him out on his use of the n-word. Let's not forget about the racist rant in 2006 by Michael Richards, who played the lovable and goofy character Kramer on the T.V. sit-com “Seinfeld.” Many of us believe his repetitive use of the n- word in the context of supposed humor cost him his career.)

CNN’s Don Lemon, who just recently came out, gives a window into the male perspective on homosexuality. "It’s quite different for an African-American male," Lemon told Joy Behar on her HLN show. "It’s about the worst thing you can be in black culture. You’re taught you have to be a man; you have to be masculine.

Black GBTQ sexualities within African American culture are perceived to further threaten not only black male heterosexuality, but also the ontology of blackness itself, which is built on the most misogynistic and homophobic strains of Black Nationalism and afrocentricism that were and still are birth, nurtured, and propagated in black churches and communities. The belief that exposure to LGBTQ people and anti-homophobia workplaces, classrooms, workshops and trainings lessens, if not eradicates, the prejudice is true. But for African American males that is not always the case.

For example, life imitated art for Isaiah Washington, but he, like Morgan, went on his black male homophobic rant nonetheless. In 2007, Washington’s public apology to the LGBTQ community for the derogatory comments he deliberately and repeatedly made about his costar T. R. Knight’s sexuality was a disingenuous statement to deflect attention away from his desperate effort to save his job.

Washington knows of both the psychological damage and the physical harm the word "faggot" engenders. And he knows it not only from empathizing as an African American where the n-word has been hurled at him, but he also knows of the harm the word "faggot" engenders from being called one. Washington plays the handsome Dr. Preston Burke on the hit drama, "Grey's Anatomy," but he has taken on many other roles. His most challenging and rewarding role was that of an African-American gay male in the context of the most dangerous environment one can be in - the company of homophobic black men.

In Spike Lee's 1996 film, "Get on the Bus," Washington and Harry J. Lennix play a black gay couple (Kyle and Randall, respectively) in the midst of a breakup that gets played out in high homophobic drama in the cramped quarters of a group of African-American men taking a cross-country bus trip from Los Angeles to our nation's capital in order to participate in Minister Louis Farrakhan's historic Million Man March - a march that explicitly forbade women and gay men to attend. Playing the role of a black gay Republican Gulf War veteran, Washington imparts to the group the violent acts of homophobia and racism he incurred on an ongoing basis from his fellow comrades, like being purposely shot at by his own platoon because of both his sexual orientation and race.

In October 2006, Washington got into fisticuffs with "Grey's Anatomy" costar, Patrick Dempsey, by grabbing him by the throat and outing Knight, saying, "I'm not your little faggot like [T.R. Knight]." Washington plays a similar scene as Kyle in "Get On the Bus."

Morgan’s homophobic rant is not about LGBTQ people, but rather, it’s about the tightly constructed hyper-masculinity of black manhood.

In my brothers’ cultivating “images of strong black men” can the brotherhood also include the diversity of their sexual orientations?

BlackCommentator.com Editorial Board member, the Rev. Irene Monroe, is a religion columnist, theologian, and public speaker. She is the Coordinator of the African-American Roundtable of the Center for Lesbian and Gay Studies in Religion and Ministry (CLGS) at the Pacific School of Religion. A native of Brooklyn, Rev. Monroe is a graduate from Wellesley College and Union Theological Seminary at Columbia University, and served as a pastor at an African-American church before coming to Harvard Divinity School for her doctorate as a Ford Fellow. She was recently named to MSNBC’s list of 10 Black Women You Should Know. Reverend Monroe is the author of Let Your Light Shine Like a Rainbow Always: Meditations on Bible Prayers for Not’So’Everyday Moments. As an African-American feminist theologian, she speaks for a sector of society that is frequently invisible. Her website is irenemonroe.com. Click here to contact the Rev. Monroe.