The Glass Houses print seems fairly self-explanatory,
but l should explain some of the ideas and motivation behind
it. A basic idea is that we, meaning we as a society, are
familiar with the cautionary anecdotes about “glass
houses” and “houses of cards”, yet despite
warning signs we allow dangerous practices to go unchecked.
People with money have the power to change many things in
the world. Unfortunately money and power are often used
to prevent change, no matter how broken the current system
may be, especially when their wealth is a direct result
of that system. Over the past couple years, the U.S. has
seen several chronically toxic systems—healthcare,
energy, finance, auto manufacturing—melt down into
large-scale catastrophes, causing widespread suffering.
The administrators of these systems, from Wall Street to
big oil, haven’t been spared from suffering, but instead
of letting the perpetrators bear the brunt of their disastrous
judgment, our political leaders have done what they usually
do: whatever their financial (read: corporate) backers want
them to.
I don’t want to diminish some of
the positive reforms that have been passed by our Congress,
because I think that things like making it illegal for health
insurers to deny coverage to people with preexisting conditions
or mandating an audit of the Federal Reserve are better
than nothing. What saddens and angers me is that all these
systems have proven themselves unsustainable and in need
of massive change, yet the only changes made have been minor
and mostly cosmetic.
Matt Taibbi’s recent article
on the Senate’s attempts at financial reform described
a lot of the mechanics behind the political castration of
reform efforts. I highly recommend reading the article if
you’re interested in all the gory details. One thing
in particular stood out to me: when it came down to crunch
time in the debate, the financial-services industry sent
over 2,000 paid lobbyists to Washington; the only counterpart
on the progressive side, Americans for Financial Reform,
had 60 unpaid volunteers lobbying on their behalf. The result
of the lobbyist blitz was a bill with giant loopholes that
will essentially let Wall Street go back to business as
usual, free to pull the same stunts that led to the global
economic crisis.
I have a feeling we can expect similar
results when it comes time for an energy and environmental
policy bill in the wake of BP’s disaster in the Gulf.
You would think it’s easy to find a common-sense solution
in the wake of a meltdown, but recent history says otherwise.
The health-care and financial reform debates have demonstrated
that money still trumps both logic and public sentiment,
or at least has a way of watering legislation down to the
point of toothlessness.
I don’t believe that money is the
root of all evil, but I do think that many of the world’s
major man-made problems have been the result of ignoring
social and ecological currency in favor of economic currency.
For the individuals and corporations lobbying Congress,
the dollars they spend in Washington constitute a sound
economic investment. But in social and ecological terms,
maintaining the status quo will only lead to our collective
bankruptcy.
-Shepard
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Shepard
Fairey is a contemporary artist, graphic designer, and
illustrator. He first became known for his "André
the Giant Has a Posse" sticker campaign, in which he
appropriated images from the comedic super market tabloid
Weekly World News. His work became more widely known in the
2008 U.S. presidential election, specifically his Barack Obama
"HOPE" poster. The Institute of Contemporary Art,
Boston calls him one of today's best known and most influential
street artists. His work is included in the collections at
The Smithsonian, the Los Angeles County Museum of Art, the
Museum of Modern Art in New York, and the Victoria and Albert
Museum in London. Click here
to contact Mr. Fairey. |