October 8, 2009 - Issue 345 |
||
Tales of the Hunt: |
||
Chris Hedges has it right again. In his article, “The War on Language,” September 28, 2009, Hedges writes: “those who seek to dominate our behavior first seek to dominate our speech.” This emptiness of language is a gift to demagogues and the corporations that saturate the landscape with manipulated images and the idiom of mass culture. Manufactured phrases inflame passions and distort reality. The collective chants, jargon and epithets permit people to surrender their moral autonomy to the heady excitement of the crowd. ‘The crowd doesn't have to know,’ Mussolini often said. ‘It must believe. ... If only we can give them faith that mountains can be moved, they will accept the illusion that mountains are moveable, and thus an illusion may become reality.’ Always, he said, be ‘electric and explosive.’ Belief can triumph over knowledge. Emotion can vanquish thought…The more illiterate a society becomes, the more power those who speak in this corrupted form of speech amass, the more music and images replace words and thought. We are cursed not by a cultural divide but by mutual cultural self-destruction. “Infantile slogans” and “clichés” are hallow to the literate, writes Hedges, but invested with power, they are heard everywhere around the planet until they seem to become the driving force of human existence. I read Hedges’
article after viewing the first episode of Ken Burn’s 12-hour PBS presentation,
The National Parks: According to the PR surrounding Burn’s film, the production team is preparing several events across the country in hope of drawing more visitors to the national parks. David Rockefeller, Jr., Vice Chairman Emeritus of the National Park Foundation, the National Parks Conservation Association, and Friends of Acadia sponsored events in August. As an honored guest, Burns attended the event in formal attire. His usually blue jeans were left hanging in the closet! He is a man of the people, out of place among the big corporate boys! Ten years in the making, the PR gang for America’s Best Idea informs us that, for Burns, this film is an “unabashed love letter.” “ These parks are for the people! “Our national parks belong to all of us.” The parks, the waterfalls, trees, animals - need protection! In the background is the faint sound of Indian American music. The first few
minutes of the opening, I guess, seems intended to make In passing, we hear of Chief Joseph and the Nez Pez Indians
hunted down by the cavalry while - the main point - Americans were
touring the area! The American visitors, in particular a
couple, were trying to enjoy the scene when these Indians appeared!
Imagine that! The man was shot in the head by a stray bullet, but he
survived. His wife had the right to record this story, to put into the
history of Yellowstone Park, the day their tour was interrupted by Indians
- who, what - should have been removed to reservations already? And,
too, in passing, the voice tells us that 90 Nez Pez Perce, mainly
women and children were killed while they slept in the What did the
Ahwahneechee have to say about this? They were not asked. Work on making
It is all about good old American thought and ingenuity! Burns and his team of writers offer the words of the founders of the national parks without question. Since the founders of the parks described their activity as examples of the Lord’s work, the footage in the first episode presents beautiful images of the Sequoia trees and the voice over equates these images to natures “cathedral.” In turn, these founders, good and thoughtful people, believed the national parks would come to symbolize a “refuge for human beings seeking to replenish their spirit.” (This must be some kind of “peace” time activity!). And the voiceover offers this summation: the national parks will be “geographies of memories and hope” for countless American families who will come to “forge an intimate connection to their land” and pass these memories and hopes “along to their children.” And the Ahwahneechee
and the Nez Pez Perce? What of their memories and hopes? What will they
pass along to their children? Are the Ahwahneechee and the Nez Pez Perce
even American for Burns and his writing team? You would never
know that millions of indigenous people inhabited not only the regions
of these national parks - but all of the The “story of the national parks is the story of people,” the film’s narrative tells us. People, like you the viewer - the American viewer - willing to save “some portion of the land they love.” It is a capitalist venture - from the removal of the indigenous populations to the establishment of riverboat cruises, giant-screen movies, tram rides, and concession stands. When the first “tourists” came to the inhabited land, they asked the typical American question: How to make money from this land. Thus, the great idea was born - again! In other words, it is not cheap to take the family to a national park that “belongs to you.” The national parks are a capitalist gold mine! But the narrative speaks of a great American idea! You cannot see or hear the cash registers, but they are there - thousands of them ringing up the profits! And what would
one great American idea be without its evil twin? Burns and his writing
team, like any good What cowardly
and ignorant lions! The hunters not only know how to hunt, but also
how to use the remains of the carcass to fuel the It is enough
to make you sick if you know American history - the reality of the It is all for you - the national parks and the whole narrative of American greatness for the small price of your mind! Rebecca Adamson
(Cherokee) is a braver woman; she managed to watch two additional episodes
of Burns’ documentary. I, on the other hand, had not planned to watch
America’s Best Idea until I spoke with Adamson for the first
time last month. For this article, Adamson and I talked, as she noted,
about the “stark difference of worldviews” between the indigenous people’s
silent story of genocide and Ken Burns’ American story of ingenuity.
It was all about establishing the Northern Pacific Railroad, said founder
of First Peoples Worldwide.org.
President Teddy Roosevelt (a great hunter) thought of the “To be fair to Ken Burns, he does mention the evictions of the indigenous people,” Adamson said. But “the history of the parks is a war story, a war of world views.” And Ken Burns, an awarded hunter, cannot tell that story, but he can pull together “manipulated images and idioms,” to satisfy the capitalists behind the conservationist movement. He is a master at cultural warfare. Make it seems as if it is all about nature. Burns “missed the plot,” Adamson said. “People think you can take nature and put it over there and go make a profit.” Bottom line, it is about capitalism, Adamson reiterated. The park industry only considered the indigenous animals after someone noted that people were mistreating the animals. “They turned to something called ‘wild life management’” which then turned the parks into “amusement parks.” If it is not
outright removal of the indigenous population, it is encroachment that
threats indigenous way of life. Slowly, people are forcibly removed
from the land so the wealthy can develop unsustainable conditions for
the whole planet. Yet when the Cherokee in Ken Burns and
the writing team of There is a film
Ken Burns will not produce for PBS or any media outlet. But it, too,
is guided by the narrative of Manifest Destiny. On the hunting grounds
of But we have so few of the hunted awake, and a Ken Burns or Fred Upton can count on that! It is no secret
that Black America’s house is divided. Too many are trapped to their
desire for gold and power. In turn, their desires are wedded to the
language of Manifest Destiny. You and me, Master, “we” is fighting
the “enemy”! That element of the Black and Brown community in the While, as Tiokasin
Ghosthorse states, the ingenious people in the We will work to put an end to the hunter’s narrative! BlackCommentator.com Editorial Board member, Lenore Jean Daniels, PhD, has been a writer,
for over thirty years of commentary, resistance criticism and cultural
theory, and short stories with a Marxist sensibility to the impact of
cultural narrative violence and its antithesis, resistance
narratives. With entrenched dedication to justice and equality, she
has served as a coordinator of student and community resistance projects
that encourage the Black Feminist idea of an equalitarian community
and facilitator of student-teacher communities behind the walls of academia
for the last twenty years. Dr. Daniels holds a PhD in Modern American
Literatures, with a specialty in Cultural Theory (race, gender, class
narratives) from |
||