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 Homophobia is part and parcel of the world 
        of male professional sports, and with many African-American male professional 
        athletes also of the hip-hop generation, the combination is lethal. 
         
        Tim Hardaway, a retired professional basketball player, is of this generation 
        of hip-hop athletes. And in an interview on Miami’s sports radio 
        station, 790 The Ticket, Hardaway was asked recently how he would interact 
        with a gay teammate. The topic came up because of fellow former NBAer 
        John Amaechi’s recent announcement, in his book “Man in the 
        Middle,” that he is gay. “You know, I hate gay people, so 
        I let it be known. I don’t like gay people and I don’t like 
        to be around gay people,” Hardaway said. “I’m homophobic. 
        I don’t like it. It shouldn’t be in the world or in the United 
        States.” 
         
        His vitriol, sadly, hurt more than just his post-career endorsements. 
        It hurt the hundreds of young sports enthusiasts and athletes that revered 
        him. “His words pollute the atmosphere,” Amaechi responded. 
        “It creates an atmosphere that allows young gays and lesbians to 
        be harassed in school, creates an atmosphere where in 33 states you can 
        lose your job, and where anti-gay and lesbian issues are used for political 
        gain. It’s an atmosphere that hurts all of us, not just gay people.” 
         
        And although the NBA banished Hardaway from its All-Star weekend in Las 
        Vegas because of his anti-gay remarks, and a number of public relations 
        apologies immediately followed, Hardaway nonetheless expressed his true 
        animus toward gays that even his first public apology couldn’t conceal. 
        “Yes, I regret it. I’m sorry. I shouldn’t have said 
        I hate gay people or anything like that,” Hardaway said. “That 
        was my mistake.” 
         
        But Hardaway’s homophobia is shaped by a particular type of black 
        masculinity that no longer has to break through this country’s color 
        barrier to represent the race and prove athletic prowess or manhood in 
        sports. It is now a black hyper-masculinity and urban aesthetic shaped 
        by hip-hop culture and “video-mercials” that not only exploit 
        women, but also unabashedly denigrate gays and lesbians, and they care 
        little about its deleterious effects on all children — straight 
        and gay. The aggressive posturing and repudiation of gay people allows 
        athletes like Hardaway to feel safe in the locker room by maintaining 
        the myth that all the guys gathered on their team are heterosexual, and 
        sexual attraction among them just does not exist. 
         
        “I don’t think he should be in the locker room while we are 
        in the locker room,” Hardaway said during that Miami interview. 
        “If you have 12 other ballplayers in your locker room that’s 
        upset and can’t concentrate and always worried about him in the 
        locker room or on the court or whatever, it’s going to be hard for 
        your teammates to win and accept him as a teammate.” This myth allows 
        men like Hardaway to enjoy the homo-social setting of the male locker 
        room that creates male-bonding — and the physical and emotional 
        intimacy that goes on among them displayed as slaps on the buttocks, hugging, 
        and kissing on the cheeks in a homoerotic context — while such behavior 
        outside of the locker would be easily labeled as gay. 
         
        In his book, Amaechi states, “The NBA locker room was the most flamboyant 
        place I’ve ever been. Guys flaunted their perfect bodies. They bragged 
        about sexual exploits. They primped in front of the mirror, applying cologne 
        and hair gel by the bucketful. They tried on each other’s $10,000 
        suits, admired each other’s rings and necklaces. It was an intense 
        camaraderie that felt completely natural to them. I couldn’t help 
        chuckling to myself: And I’m the gay one.” 
         
        The most potent strategy for discouraging female participation in athletics 
        has always been raising questions about the femininity of female athletes, 
        assuming that all female athletics are lesbians. Women who chose to participate 
        in sports often go to great lengths to display traditional heterosexual 
        markers through their clothing, hair style and mannerism. Both gay and 
        lesbian athletes must constantly monitor how they are being perceived 
        by teammates, coaches and endorsers, in order to avoid suspicion. They 
        are expected to maintain a public silence so that their identity does 
        not tarnished the rest of the team. 
         
        Today’s society awards celebrity status to professional athletes 
        of all races, and the popularity of African-American hip-hop athletes 
        has reached unprecedented levels; their influences go far beyond the court 
        and field. 
         
        So, do these athletes have a responsibility to their fans and society? 
         
        While black hip-hop athletes no longer have to be representers of the 
        race, they do need to remember how they got there. Racism was addressed 
        through sports when Jackie Robinson became the first black Major League 
        Baseball player in 1947, and in this year’s landmark Super Bowl 
        with its two black coaches. 
         
        Sports programs are a particular challenge when attempting to make schools, 
        playgrounds, and locker rooms safe of our children. But sports can also 
        provide innumerable opportunities to teach valuable life lessons and can 
        be a powerful influence in addressing myriad social issues. And eliminating 
        homophobia can be one of them. That’s something Hardaway and his 
        hip-hop cohorts need to think about. 
      BC columnist, the Rev. Irene Monroe is 
        a religion columnist, public theologian, and speaker. She is a Ford Fellow 
        and doctoral candidate at Harvard Divinity School. As an African American 
        feminist theologian, she speaks for a sector of society that is frequently 
        invisible. Her website is www.irenemonroe.com. 
        Click 
        here to contact the Rev. Monroe.  |