Many know them as the Central Park
Five, but filmmaker Ava DuVernay forces to us see the five wrongfully
convicted men as individuals. Their names are names we must
remember, as individual, courageous, principled Black and Brown men.
They are Korey Wise, Raymond Santana, Yusef Salaam, Antron McCray,
and Kevin Richardson. DuVernay's new Netflix mini-series, “When
They See Us”, ask what "they" see when they see young
men of color. They see criminals. They see violence. They don't
see their precious youth, a youth that was snatched away by a racist
criminal injustice system that railroaded them.
The
1989 rape of Trisha Meili horrified New York City. But there was no
evidence that the five accused young men were the perpetrators.
Indeed, much later, another man confessed to her rape. Meanwhile,
Raymond, Yusef, Antron, and Kevin were sentenced to five to seven
years. Each served at least five. Korey Wise was 16, so he was
tried and convicted as an adult. He served 12 years and was
brutalized and beaten throughout his incarceration. In jail, a
rapist is just one step up from a child molester, and the racial
dynamics of prison life were such that Korey was a target for abuse.
“When
They See Us” is harrowing and humanizing. It digs into the
marrow of the bones of the accused men and their families. It
reminds us that the cost of unjust incarcerations is felt not only by
the incarcerated but also by their families. We see the ways
families dealt with the unlawful imprisonment of their loved ones.
Some hover and hug, some distance themselves, and all of the lives
are complicated by the economic challenges that lower-income families
face. Who can pay for a decent lawyer? For visits that may be
hundreds of hours, and too many dollars, away from a home base? Who
writes? Who can't write? How do incarcerated people maintain
dignity and equilibrium?
“When
They See Us” is important, not because it tells the story of
five young men – Raymond, Yusef, Antron, Kevin, and Korey –
who were scapegoated, but because it reminds us that this case is but
the tip of the iceberg. Thanks to the Innocence Project and other
dedicated people, these men were exonerated, their convictions
vacated, and a financial settlement awarded to them, providing them
with about a million dollars for every year incarcerated. How many
young men of color, though, are unjustly arrested, tried, and
convicted. How many have been so railroaded that after of hours of
interrogation (as with Raymond, Yusef, Antron, Kevin, and Korey) they
choose to confess to crimes they did not commit because they are
frightened. Their vacated sentences and their financial settlement
is some form of vindication, but as they all have said, nothing can
bring those years back. Some are angry, some are depressed, and some
have offered themselves as speakers to talk about the flaws in the
criminal just-us system. Korey Wise, who got the most substantial
financial settlement because of the longest time he spent in jail,
generously donated $190,000 to the Colorado Innocence Project.
The
ugly underbelly of this story is the white women who insist that
these young men must have been guilty of something. Linda Fairstein,
the prosecutor in the case, is depicted as benign of the rules and
withholding evidence. Why? Because she could. She is the epitome of
Becky, of Miss Ann, of a white woman who was prepared to ruin young
lives, even though there was no evidence to tie Raymond, Yusef,
Antron, Kevin, and Korey to the rape of Trisha Meili. Fairstein has
been spanked in the court of public opinion, being so vilified that
she has stepped down from the board of her alma mater, Vassar
College. But she is adamant in her insistence that she did nothing
wrong. Even though she lied. Even though there was a weak train of
evidence, with no DNA. Even though. But she is a privileged white
woman who took her ticket to ride into author stardom. The Mystery
Writers of America chose to rescind her award. Good for them!
And
then there is the victim, Trisha Meili. No one should have
experienced the brutality that she did. She is entitled to grace,
understanding, and compassion. She is not entitled to accuse young
men whose DNA was not on her, whose alleged attack on her was not
verified. Even as we applaud her survival, we abhor the ways she
supports the corrupt Linda Fairstein and the police officers who
coerced false confessions from the accused young men.
I
remember 1989. I remember the inflammatory press describing young
Black and Brown men as animals off "wilding." I remember
writing and talking about the inhumanity of their descriptions and
about the lies the press inflamed. And I remember one Donald Trump
who was so outraged that he spent $85,000 to take out full-page ads
asking that five young men get the death penalty for a crime they did
not commit. He has yet to apologize. He doesn't do that. He is the
one who needs to be incarcerated.
I
am grateful to Ava DuVernay for her sensitive production of this
story, as well as to Ken Burns for an earlier documentary. I am
mindful that these accused men are the tip of the iceberg. The
coercion that they experienced happens every day. And I am thankful
that the Innocence Project supports the wrongfully incarcerated. But
at the bottom line, y'all, I'm mad as hell. What can we do about it?
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