Just
because Barack Obama was elected president and then re-elected the
hopeful among us celebrated by noting that the U.S. could be
considered post-racial. Say what?
Those
who voted for Obama twice had high hopes that the country had,
indeed, moved beyond the hatred and bigotry of the preceding two
centuries. Even given that there has been progress in mitigating the
racism and all the other profoundly negative “isms” in
some areas of the national life, the pockets of hatred have grown and
have become more emboldened than ever, and its denizens have become
more open about it.
Not
all of it can be attributed to a Donald Trump presidency, even though
he has proven to be a racist, a misogynist, an Islamaphobe, a bully,
and a friend to white supremacists. He certainly has unleashed the
dogs of division, but what we are seeing right now has been around
for a long time. Trump is not the cause of the national toxin, but
he is the symptom.
For
example, just this week a cartoon appeared in a local paper in the
Capital District of New York that perfectly illustrates the racism
that underlies the society, in general. The paper in which the
cartoon appeared is a middle-of-the-road daily, which many of its
right-wing subscribers describe in a pejorative way as “liberal.”
The
cartoonist, Tom Stiglich, portrayed the cover of Gentlemen’s
Quarterly, which recently named Colin Kaepernick its “citizen
of the year,” for his brave and bold move in kneeling before a
professional football game when the national anthem was played. He
was protesting the continuing crisis of the killing of black men and
boys (or any minority) by police and the general racism that has only
slightly subsided since the passage of the Civil Rights and Voting
Rights Acts in the 1960s.
No
sooner had Kaepernick taken a knee when hordes of right-wingers,
starting with the president, piled on to criticize, claiming
(incorrectly on purpose) that he was disrespecting the flag, the
national anthem, and the military. They might as well have thrown in
motherhood and apple pie.
Stiglich, however,
favored a portrayal of Kaepernick as “malcontent of the year,”
completely ignoring the reasons for his taking a knee. Neither
Stiglich, nor his supporters, nor any who agree with his take on the
matter will give Kaepernick or any of the other hundreds of football
players (in other sports, as well) from high school to other
professional teams credit for having a good reason for their protest.
It was not against anything, except the injustice of extrajudicial
killing of black and brown folks and the general racism that they
must withstand every day of their lives. A nationally syndicated
cartoonist should have enough savvy to know the difference between a
“malcontent” and someone who is standing up for rights
and justice in a society in which both are hard to come by for anyone
of color.
The
standout quarterback was a 4.0 GPA student in high school and threw
his first touchdown pass as a nine-year-old. He also was a possible
pick for major league baseball as a pitcher. For all that he had
accomplished in high school, in college, and in professional
football, for the huge percentage of the country who live and die by
the sports scores and play on the field, he should have been revered
as a sports hero. At the very least, those on the political right
should have given him the respect for standing (or kneeling) for the
rights of those whose rights are daily taken from them.
Nativists
and others who see only what is good for their country (and
therefore, themselves) rallied around Trump and others in power to
denounce Kaepernick and other players who began to take a knee for
rights and justice. Stiglich, the cartoonist, knew very well that he
would be pandering to right-wingers and war-mongers in vilifying
Kaepernick, because he portrayed the quarterback wearing a Che
Guevara tee shirt, wearing a button that said “I (heart) Fidel
Castro), and capped it off with a button of the American flag with a
red slash across the flag. He didn’t miss much, but perhaps he
knew that “taking a knee” had become an international
affair and the furor over it had reached other countries, showing
them the state of race in America. It hasn’t been a pretty
picture.
And
of course, to top it all off, Stiglich portrayed Kaepernick with an
Afro that was bigger than even Angela Davis’ back in the
Sixties. He knew that would get the juices of the white nationalists
and supremacists flowing. They didn’t need much encouragement,
since Trump had worked them up by referring to those players who took
a knee as “sons of bitches,” and said that they should be
punished for their temerity. The president spouted the same, sorry
line about disrespect for our “military heroes,” when
they had nothing to do with the protest. In fact, some of the more
courageous ones pointed out that they were fighting to preserve the
right under the First Amendment to protest, just as Kaepernick did
and many others followed.
What’s
hypocritical in the president’s tirades about it is that he
never served in the military (going to a military school doesn’t
count), because he had a bone spur and got deferments for other
reasons. In that, he joined many other war lovers who never served
in uniform.
The
pity is that a cartoonist on a national stage could so pervert the
reason for the protest and still have his drawing published in a
slightly-right newspaper without any explanation or comment, just as
they do in their letters to the editor, which are so often wildly off
in accuracy and common sense.
Colin
Kaepernick started something with his taking a knee and those in
power, both in the National Football League and the halls of
government across the country, would like him to just disappear.
That won’t happen, but there will be some signs of further
progress, when members of town boards, city councils, state and
county legislatures, and the Congress either take a knee or keep
their seats in solidarity with a brave football player.
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