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By Nissa Rhee
This commentary is about an exhibit
by BC Cartoonist/Artist Eric Garcia at the
National Veterans Art Museum in Chicago
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Eric
Garcia says that his family didn’t cross the border from Mexico into
the United States. The border crossed them. His ancestors saw their
home in New Mexico become a part of the United States during the
Mexican-American War of the 1840s.
When I meet Garcia at his solo exhibition Operation Mom’s Couch at
the National Veterans Art Museum, he narrates his family story as a way
of explaining how the military had shaped his life long before he
joined the Air Force. The 38-year-old goateed visual artist is wearing
a “Veterans for Peace” T-shirt and seems far removed from his years
guarding warplanes, munitions, and bombs.
But
for Garcia, the military’s tentacles are long and violence continues to
affect him to this day. He says he’s closer to combat now in
Chicago, than he ever was serving in the Air Force, and that shootings
happen regularly near his Pilsen home. This permeation of war in
American society is the theme of his latest exhibit titled Operation Mom’s Couch, a meditation on how a regular Chicano boy who grew up watching The A-Team could become a soldier in the world’s biggest military.
Walking into Operation Mom’s Couch, is
like stepping into a life-size political cartoon. Armed with a
cartoonist’s arsenal of hyperbole and satire, Garcia skewers the
military and our violent culture. The four walls of the exhibition are
covered in camo-green murals showing a young Garcia playing war as a
boy, joining the military, and serving in the Air Force in Italy and
Greece. A cardboard television in the corner plays a rotation of theme
songs from war-themed TV shows he watched growing up, audio from Army
recruitment videos, and the sound of bombs and machine guns going off.
The
centerpiece of the exhibit, however, is a 12-foot-wide, 4-foot-tall
nest made out of over 250 black, pink, and blue wooden guns. The nest
is “a metaphor for the young Americans who are incubated in a
militarized society,” Garcia says.
Inside,
a young Garcia peeks out from behind a couch wearing a Davey Crockett
hat and holding a toy rifle. Surrounding him are the names of 15
conflicts that the United States has participated in since Garcia was
born, including domestic actions such as the Columbine massacre and
police clashes with protesters in Ferguson. “When I was growing up, I
loved playing war and playing with guns,” explains Garcia. “Me and my
friends would dig foxholes and play battle.” Above the nest is a baby
mobile made out of stealth bombers.
Little about Operation Mom’s Couch is
subtle. In one mural, a nervous-looking Garcia sits on top of an M-16
rifle as Uncle Sam shaves off his hair. A fighter plane wrapped in a
taco zooms over their heads, a reference to the squadron of F-16s he’d
see as a boy growing up near the Kirtland Air Force Base in
Albuquerque, New Mexico. “I have a unique perspective,” says Garcia.
“I’m working from within. Having served four and a half years, I think
I have a deeper understanding than most people of what our military is
about.”
While
he’s very critical of the military, Garcia says he doesn’t regret
joining. He served in the Air Force for four half a years, during a
period of relative peace between the two Gulf Wars, and was able to see
some of the greatest art works of the Renaissance while stationed
abroad in Europe. That exposure led him to become an artist and
eventually earn his MFA from the School of the Art Institute of
Chicago. Today, Garcia works as a teaching artist at the National
Museum of Mexican Art in Pilsen.
Garcia’s grisly
depictions of American military might rub some the wrong way, but it’s
hard to argue with his thesis. Memorial Day weekend, a time when
we’re supposed to be remembering soldiers who died at war, is typically
one of the most violent weekends in Chicago—this year, six people died and 63 others were wounded.
War surrounds us in the form of shootings and police forces armed with
military-grade weapons. Really, we all live in Garcia’s weaponized
nest, whether we are part of the military or not.
Operation Mom’s Couch runs through August 20 at the National Veterans Art Museum, 4041 N. Milwaukee Ave., Chicago IL.
This commentary appeared originally in ChicagoMag.com
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BC Guest Commentator Nissa Rhee
is a writer and the force behind the Return to Vietnam project, which
tells the stories of American veterans who have returned to Vietnam to
help overcome the legacies of the war. She speaks frequently about
veterans issues and was a featured speaker at the Veterans for Peace
national convention.
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is published every Thursday |
Executive Editor:
David A. Love, JD |
Managing Editor:
Nancy Littlefield, MBA |
Publisher:
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