It was made clear that this “New
Negro Movement" represented a breaking away of the Negro masses
from the grip of old-time leaders….
HUBERT H. HARRISON, July 4, 1917
The problem of the twentieth century is the problem of the Color Line.
But what is the Color Line? It is the practice of the theory that the
colored and “weaker” races of the earth shall not be free to follow
“their own way of life and allegiance,” but shall live, work and be
governed after such fashion as the dominant white race may decide.
Consider for a moment the full meaning of this fact. Of the seventeen
hundred million people that dwell on our earth today more than twelve
hundred million are colored – black and brown and yellow. The so-called
white race is, of course, the superior race. That is to say, it is on
top by virtue of its control of the physical force of the world –
ships, guns, soldiers, money and other resources. By virtue of this
control England rules and robs India, Egypt, Africa and the West
Indies; by virtue of this control we of the United States can tell
Haytians, Hawaiians, Filipinos, and Virgin Islanders how much they
shall get for their labor and what shall be done in their lands; by
virtue of this control Belgium can still say to the Congolese whether
they shall have their hands hacked off or their eyes gouged out – and
all without any reference to what Africans, Asiatics or other inferior
members of the world’s majority may want.
It is thus clear that, as long as the Color Line exists, all the
perfumed protestations of Democracy on the part of the white race must
be simply downright lying. The cant of “Democracy” is intended as dust
in the eyes of white voters, incense on the altar of their own
self-love. It furnishes bait for the clever statesmen who hold the
destinies of their people in their hands when they go fishing for
suckers in the waters of public discussion. But it becomes more and
more apparent that Hindus, Egyptians, Africans, Chinese and Haytians
have taken the measure of this cant and hypocrisy. And, whatever the
white world may think, it will have these peoples to deal with during
the twentieth century."
HUBERT H. HARRISON
"Our Larger Duty,” The New Negro, August 1919
Diasporic Africa Press has just
published a new, expanded edition of Hubert H. Harrison’s When Africa Awakes: The "Inside Story" of the Stirrings and Strivings of the New Negro in the Western World. This new
edition includes the COMPLETE TEXT of Harrison’s original 1920
volume including his “Introductory” and over fifty of his
articles from publications that he edited in the 1917-1920 period.
Those publications include: The Voice – “A
Newspaper for the New Negro” (1917-1919), the first newspaper
of the “New Negro Movement”; The New Negro: A
Monthly Magazine of a Different Sort (1919), described as “A
Magazine for the New Negro” that was “intended as an
organ of the international consciousness of the darker races --
especially of the Negro race”; and the “Negro World”
(1920), the globe-sweeping newspaper of Marcus Garvey’s
Universal Negro Improvement Association (which was a major component
of the “New Negro Movement”). This new edition, expanded
from the original 146 pages to 274 pages, also offers a new
introduction, a biographical sketch, a “Note on Usage,” a
lengthy supplementary notes section, and an index that make it ideal
for classroom and/or study group use.
The book is divided into nine
chapters on such topics as the beginnings of the “New Negro
Movement,” “Democracy and Race Friction,” “The
Negro and the War,” “The New Politics,” “The
Problems of Leadership,” “The New Race-Consciousness,”
international consciousness, education, and book reviews and it
concludes with Harrison’s December 1915 poem “The Black
Man’s Burden (A Reply to Rudyard Kipling).” Individual
articles discuss subjects such as the Liberty League, the East St.
Louis “pogrom,” labor unions, lynching, “The White
War and the Colored World,” The Peace Congress, Africa, the
Caribbean, the “Colored World,” Woodrow Wilson, The Grand
Old Party, “white friends,” NAACP leaders Joel E.
Spingarn and Mary White Ovington, W.E.B. Du Bois, radicalism, the
Socialist Party, “Negro women,” “A New
International,” J. A. Rogers and T. Lothrop Stoddard. The book
reviews are especially noteworthy and they come from the
Harrison-inaugurated book review section of the Negro World, which
he later described as "the first . . . regular book-review
section known to Negro newspaperdom.”
Background
St. Croix, Virgin Islands-born,
Harlem-based, Hubert Harrison (1883-1927) was a brilliant, class- and
race-conscious, writer, educator, orator, editor, book reviewer,
political activist, and radical internationalist. Historian J.
A. Rogers in World’s Great Men of Color described him as
an “Intellectual Giant” who was “perhaps the
foremost Aframerican intellect of his time.” Labor and civil
rights activist A. Philip Randolph described him as “the father
of Harlem radicalism.”
Harrison played leading roles in the
largest class radical movement (socialism) and the largest race
radical movement (the “New Negro”/Garvey movement) of his
era. He was a major influence on the class radical Randolph, on the
race radical Garvey, and on other militant “New Negroes”
in the period around World War I and he is a key link in two great
trends of the Civil Rights/Black Liberation struggle – the
labor and civil rights trend associated with Randolph and Martin
Luther King Jr. and the race and nationalist trend associated with
Garvey and Malcolm X.
From 1911 to 1914 Harrison served as
the leading Black theoretician, speaker, and activist in the
Socialist Party of America. When he left the Party he offered what is
arguably the most profound, but least heeded, criticism in the
history of the United States left - that Socialist Party leaders,
like organized labor leaders, put the “white race” first,
before class, that they put the [“white’] “Race
First and class after.”
Beginning in 1916, he served as the
intellectual guiding light of the militant “New Negro Movement”
- a race conscious, internationalist, mass based, autonomous,
militantly assertive movement for “political equality, social
justice, civic opportunity, and economic power.” This
Harrison-led “New Negro Movement” involved many
outstanding activists, viewed itself as consciously breaking from the
“old time leaders,” fertilized the soil for and laid the
basis for the growth of the Garvey movement, and was a precursor to
later developments including the Black Power movement, anti-war and
anti-imperialist movements, and (with its calls for enforcement of
the 13th, 14th, and 15th amendments
and for federal anti-lynching legislation) the Civil Rights movement.
With Harrison’s literary influence (including important book
review and “Poetry for the People” sections in the
publications that he edited), the “New Negro Movement”
also contributed significantly to the climate leading up to Alain
LeRoy Locke’s 1925 publication The New Negro.
Harrison’s leading role in
this “New Negro Movement,” though often ignored (or
presented in a way that removes from view his seminal influence), is
well documented in this work. In August 1920 he explained that for
some time he had planned to write a book "on the New Negro,"
which would "set forth the aims and ideals” of the new
movement among American Negroes, “which has grown out of the
international crusade 'for democracy - for the right to have A VOICE
in their own government.'” When Africa Awakes: The “Inside
Story” of the Stirrings and Strivings of the New Negro in the
Western World is the Hubert Harrison’s book that Harrison
had planned. As suggested by its subtitle, it offers first-hand
testimony to social, political, literary, educational, and
internationalist aspects of this World War I-era “New Negro”
movement and to Harrison’s role in its development.arrison’s
pre-eminencHarriso
Harrison’s “Introductory,”
republished in this new edition, was written at a time when much
national attention was being paid to “The Rising Tide of Color”
and when his growing differences with Garvey would lead him to stop
serving as principal editor of the Negro
World. The “Introductory”
provides important insights for understanding the militant “New
Negro Movement” that grew in the period of the Great War of
1914-1918 and the ensuing bloody post-war year of 1919. It opens with
an internationalist perspective describing how, during the war, “the
idea of democracy was widely advertised . . . as a convenient
camouflage behind which competing imperialists masked their sordid
aims.” Harrison then discusses how “those who so loudly
proclaimed and formulated the new democratic demands never had the
slightest intention of extending the limits or the applications of
‘democracy’”; how “subject populations”
put forth their own demands for democracy and this led to “great
unrest”; how “black, brown and yellow peoples” were
“insisting that democracy shall be made safe for them”;
and how the “race-consciousness” of the “Negro
people” in the United States quickened as they put forth new
“domestic and international” demands in
politics, education, culture, commerce and industry “on
themselves, on their leaders and on the white people in whose midst
they live.” In the “Introductory” Harrison also
points out “that the
AFRICA of the title is to be taken in its racial rather than its
geographical sense.”
Hubert Harrison died unexpectedly on
December 17, 1927, at Bellevue Hospital in New York from an
appendicitis-related condition. At his massive Harlem funeral two
pallbearers and important Afro-Caribbean bibliophiles familiar with
his extraordinary contributions as a radical activist offered
insightful perspective on his intellectual contributions. Richard B.
Moore, a noted Harlem
activist, independent historian, and bookstore proprietor whose
collection of books and manuscripts is at the University of the West
Indies in Cave Hill, Barbados,
described Harrison as the
“Black Socrates” and emphasized the importance of his
pioneering intellectual work. Puerto Rico-born Arturo
Alfonso Schomburg, whose extraordinary collection of books and
materials pertaining to people of African descent would serve as the
basis for Harlem’s internationally famous Schomburg Center for
Research in Black Culture, presciently eulogized that Hubert Harrison
“was ahead of his time.”
Seventy years later historian John
Henrik Clarke emphasized that:
New interest in the life and work of
Hubert Harrison is appropriate. In his lifetime, he was an advanced
thinker and a prophet. Carefully read today, When Africa Awakes
shows that Hubert Harrison is even ahead of our time…. [in]
When Africa Awakes, the strong and clear voice of Hubert
Harrison is speaking to us again…. Let us try to complete the
theoretical work he started.
That need for new interest in the
life and work of Harrison is even more pronounced today. The gap
between rich and poor has reached record proportions, while white
supremacy, war and militarism continue to shape the domestic and
foreign policies of the United States. At the same time, growing
numbers of people seek meaningful insights and analyses to make sense
of our contemporary reality and pursue fundamental social change. The
insights and analyses offered by Harrison can make a crucial
contribution towards these aims.
It is in this setting that this new
edition of When Africa Awakes: The “Inside Story”
of the Stirrings and Strivings of the New Negro in the Western World
is being published by Diasporic Africa Press. The fact that Diasporic
Africa Press has chosen to publish very reasonably priced paperback
and Kindle editions of Harrison’s work makes possible outreach
to a much wider domestic and international audience. It is also a
fitting tribute to Harrison who, in the period covered by this book,
did some pioneering writing and speaking on “Africans of the
dispersion” and Africans and “their dispersion”
— subjects that would begin to draw much greater attention
later in the 20th century.
In When Africa Awakes: The
“Inside Story” of the Stirrings and Strivings of the New
Negro in the Western World Harrison is “speaking to us
again.” He is offering insights through his words and through
the struggles that he and others waged. Hubert Harrison has much to
offer people whose “stirrings and strivings” -- like
those of the “New Negroes” of his day – insist on
challenging injustice and seeking a better world.
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